Hooded
in the impetus, I would only put a foot on the ground out of idleness.
Sometimes, a voice would ask me if I'd slept well. I was always stuck by
the insolence of the question. Looking for whoever was talking to me,
I would only see uncertainties. I mostly remember the smoke and rubbish.
Cigarette butts, saliva, expired newspapers, peels, everything
superfluous ditched under the bench seats, the ban signs appalled by
their own impotence. Certainly, from the world's point of view, its
eyes half-closed, we were in motion. Certainly, a trajectory was
sketching itself. Still, all I could discern was convergence lines,
each more illusory than the next. Seen from the inside, all was
cataleptic.
My
eyes riveted to the floor, I attempted a break. At the end of the
path: the shitter. Beyond the shitter: nothing. The floor was a
screen, on which implications were taking shape. My mug was tossing
about. Engraved by little blades in our original sins, verdicts were
descending upon us without a single pointless qualm. Guilty. Of not
being enough. Of owning too much. Of doing nothing or poorly.
Whatever. Just guilty. ''All shall bear their own cross and try to
pass it on the neighbor''. It's all I'd learned in school. An old
woman was wiggling on her berth, spreading her teeth in a harsh
smile. Most likely, she hoped someone would count 'em and buy 'em.
First distinct apparition, first indulgence. ''Ignore the world'', I
had promised. Sounded like wishful thinking. I had to go and vomit.
Sometimes,
we'd stagnate in a station and the frozen world, outside, would
suddenly seem hectic, exalted with vagueness. Under the neons' white
halo, shapes were busy rebuilding what their ancestors had carefully
busted. Artificial light. Small agressive bureaucrats. Hippies rotten
to the core. Nothing new, everything replayed again and again for so
long that the audience had left the theatre, weary of waiting for the
rehearsals to, at long last, result in something. The apsaras were
getting drunk backstage, in high spirits: they'd only step unto the
stage when asked to. It wasn't going to happen anytime soon and they
knew it too well. I'd taken part in all this for years, then one day
I'd slammed the door and left. No one had paid attention.
No
matter how hard I tried to see things in cinemascope, there was
nothing to do about it. I took reality by the fringe, persevered in
stretching it through the top and bottom, through the left and right.
But the black edges would always take too much room, their obstinate
darkness dripping, compressing everything in a way. In the end, there
were only bodies whose heads had been edited out. No people,
let alone characters. Only interchangeables, blurred bodies, residues
of men and women with withered eccentricities. Exotism, too, had been
edited out. The true elsewhere was elsewhere. Or maybe inwards.
Nevertheless,
one had
to look elsewhere.
It was written on every wall, on every sign. Everything was a mess so
we turned our heads all around, and each fulfilled fantasy just made
the picture even blurrier. One could feel that some would have liked
to jump from the train, but time was stationed and they had to wait.
Helpless, some were burning their impatiences in round trips, in
futile comings and goings. An affront to the killjoys, perhaps: caged tigers, at least, have the privilege to go round in circles. All
this human backwash, it narrowed my thoughts.
''This
is how it must be done!'', repeated the man seated in front of me
before he snatched his tongue and threw it on the floor, alongside
the rest. Pathetic scrap of flesh. The scene was being played in a
loop. I didn't want to know a thing about it, but at the one hundred
and third performance, I gave in and offered myself as a spectator.
He revelled in, at long last, being able to stuff himself with my
brains. He didn't have a face either, just a black ball on his
shoulders and some perseverance. ''It will never be enough to make a
man'', I thought. All those headless bodies, it led to nothing.
However hard I struggled to dream alone, the crowd still had a hold
on me.
When
God had tried to sell me children I had declined, whining. When
children had tried to sell me God, I had replied that I already had
one. When God had thrown His children on the railway, He had forgotten
to give them tickets. The ticket inspector had no sense of humor and
His creatures had been fined. They'd keep paying for a hell of a while.
Until the machine. Until transformism. I'd been born way too early.
I
had left in search of a flower. Flight or quest there was no need to
pay attention to petty details. It would have been easy to just
isolate myself. Too easy. Late at night, when things are asleep and
the din ceases, one can listen to the secrets, to God's whisper. But
true solitude can only be accomplished in the multitude. This is why I'd
gotten on board, no more no less. ''Ignore the world, fill the full
with void''. Harassed by the flies and the chai
barkers, trepanned by the noise, I had to face the facts. Like
everyone else, I was just looking for something to hold on to.
Pictures and inspiration by Ranjith Krishnan.
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